1 Gegi and Plots discuss being open-minded. "Oh yeah, things happen. I often find that I act without thinking in sudden situations, but other times I look at it from every angle. My mind has gotten so open that it's impossible to shut it now. As I remember a friend of mine saying, How far can you open your mind before your brain falls out?" He chuckles. "I've found out." "The problem is when your mind falls out and something steps in to take its place..." Plots chuckles. "Nothing would really want to step inside my head. It's not very pretty in there." She raises her eyebrows. "You're purer than I, friend, from what I can tell...and obviously Somebody found my head to be a nice place to camp..." "Well, no, I haven't dabbled in the occult, if that's what you mean. Unless you count using the Oujia board a few times with friends. I've read a lot about it, but never tried anything directly." "Occultism doesn't have a thing to do with purity... well, unless you end up summoning demons, but surely it can't be that common." She smiles. "I meant -goodness-... I think you're more -good- than I am." Her gaze wanders to Gabby, and she flinches slightly. He watches her face carefully. "What happened between you two?" "I told you, you wouldn't understand..." "Try me." His voice is serious. She shakes her head. "It was a long time ago... we were in fourth grade, and everyone knows fourth grade is the most miserable time in your life. We were friends then." She pauses. "Have you read Lord of the Flies?" Plots makes a disatisfied frown, and shakes his head. "No. I have had a smattering of it from various sources. So I know some about it, but not too many details." She nods. "It sounds so silly to everyone else..." and takes a step back, to get a good view of her surroundings. This is clearly uncomfortable material, but for some reason she wants, just once, to tell someone what happened. "I got into some trouble in school that year, nothing serious, really, but at the time it was a horrible embarassment. I was the first person in our class ever to get a conduct detention, and I didn't even -do- anything..." She cuts off. "Anyway, I was horrified. I was sure my father would beat me if he found out. So I planned to run away from home. Gabby and another girl helped me plan it. There was an orphanage in another state that supposedly took in runaways and treated them pretty well... she was going to find me a bus schedule... I was gathering money and supplies. It might have worked." "One day, after school, Gabby and I were cutting the activity we were supposed to be attending to discuss the plans. And all of a sudden I think it struck her that I was serious about all this, and she got nervous. She started trying to convince me not to go. I wouldn't listen, of course, I've always been melodramatic, I'm sure I was saying that I couldn't live with my parents after this, that they'd never forgive me, and so on. She got more and more worried. Finally she said that her sister was a psychiatrist and she would call her and make her take me and lock me up if I didn't give up this idea." She takes a quick breath. "You have to understand that being crazy is absolutely my worst fear. Nothing else even compares. All my life I've been terrified that they were going to lock me up and drug me and... Gabby didn't know that. Anyway, I panicked. I started running. She chased after me. I was overwrought anyway, and the adrenalin was kicking in. I was too scared to think straight." "She chased me. I didn't know where I was running. She got me into a corner. I whirled around to face her, and I was so afraid and so desperate that I lost all rationality. She froze. I froze. And we just stood there. If she'd moved backwards, I would have made a break for it, probably knocking her down in the process. If she'd stepped forward, I would have attacked her. She said later that she was quite sure that if she'd moved, I would have killed her." She takes another deep breath, not looking him in the eye. "I was hysterical. In that instant I had lost control. I really don't know what would have happened. I was just a kid, an overemotional kid. I don't think I could have killed her, but I've always been a lot tougher than I look, and fighting by instinct against someone who was much weaker than I, I could really have hurt her. I was not sane." She shrugs. "At that moment a teacher showed up. And just like the ending of Lord of the Flies, where they suddenly became nothing but little boys with paint on their faces, all the tension was gone. But I -knew-, and she -knew-, what might have happened. It was my first look at the dark monster inside myself, and she saw it too, and found something similar in her, and we could never really look each other in the eyes after that." She sighs. "I'm sure you'll think I'm being ridiculous about a very minor incident that happened a long time ago. Everyone does. No one understands unless they have -felt- that moment when they realized that they could kill..." He smiles reassuringly. "You lost control. I don't think that's ridiculous. I think it happens to the best of us. And remember, it *might* have happened, not to say that it *did*. More importantly, do you think that the one incident you had with the tension was cause enough for her to actually cast you as a major villain in her background?" "Not in itself, although it did keep us away from each other for a few years. But Gabby was very sick in junior high with some rare disease... she was out of school for a year, just coming in every morning to pick up schoolwork. And recently, when we've been on speaking terms again, she's claimed that I cast a curse on her right before she fell sick, that I got angry at her for something and said to her face that I was casting a spell on her. She also said that one of our teachers believed this completely and warned Gabby to be nicer to me or bad things would happen to her... but it's hard to tell with Gabrielle. She tells a lot of tall tales. You never know what she really thinks." He steps closer to her, and says in a low voice. "And I'll be honest with you about something...I'm scared to death of what might happen if I ever lose control. All my life, nothing has ever driven me to lose control. But I wonder what would happen if..or when, something does push me over the limit. That's over twenty-two years or backlash I have stored up." She looks past him. "I've lost control since then... screamed, hit people, all sorts of hysterics. It might be genetic... I've seen signs of it in my sister... that's why I -have- to be around people, people I can rant at and keep things from building up, or if nothing else, people I can depend to hold on to me if I snap..." "You also need to start taking control over this, if it really is a problem. How long can you depend on others? Like you said before, you're worried about losing control in a crictal moment. If you've already lost it, then they can't do anything except pick up the pieces. You have to be the one to see it coming *and* stop it before it starts." Another shrug. "What am I supposed to do? I do my best to keep a handle on things, and have managed not to do any serious damage so far... but I'm -not- going to let them drug me." "You *could* try talking to Gabby some more, just stay out of slap range." He looks back over at her. "Honestly, give it a try, and if you really want to know, be persistent." "You said she got along pretty well with you... maybe you could ask?" Plots shrugs. "I suppose. I asked her before why she hated you, and she said it was the betrayal of the Dreaming and all of that. What do you want me to ask her?" She shrugs, obviously worn out from her admission. "I don't know. I suppose it doesn't really matter." "Are you saddened by how Gabby reacts to you, like a twinge of regret at all? It seems like an old wound that hasn't completely healed, and maybe that would help." "The real Gabrielle and I have gone our own ways. It might be better that way. But this one... just makes me sad. I never meant to hurt her." "Maybe you could tell her you aren't the same Gegi that she knows. It's true, after all. And given the nature of the pub, with fractured timelines and versions of people who exsist in alternate realities, it isn't that hard to believe. Besides," He crosses his arms and shrugs. "It might at least make you fell better." She sighs. "Maybe later, when she's not quite so actively screaming for my death?" 2 "A mirror," says Mitch to Gegi. "But if I am a mirror, it is a broken one, all rainbows and glittering, but in the end something that's broken." "A broken mirror shows the truth better, fragments of reality making a bigger whole than the sum of the parts. Greetings, I don't believe we've met - I am known as Mauritz, sometime Prince of Albuquerque and New Mexico." says a pale man wearing fancy clothing and a top hat. He bows to her. She curtseys. "I'm Gegi. Prince only sometimes? Should we worry?" She takes pains not to meet his eyes. Mauritz smiles warmly while replying. "Nay, my comment was but a reflection upon my status; I am neither truly alive nor dead, but suspended in limbo here while the matter is resolved. I died just before entering this place, you know..." "Tsk. My condolences on your recent demise. I'm hoping to avoid dying outside while I'm still in." "My thanks for your condolences, but my death was ordained long ago - only the manner of it was up to me. Avoiding death is a most difficult thing to do." "Prophecy is such a frustrating thing..." "Especially when the prophet lives in your head," Mauritz says. "How is it that you are here and there as well?" "I'm not entirely sure. Best not to point it out to reality, lest it fling me forcefully back where I belong." "Pain is that which reminds us of life, while pleasure is what living is for." Mauritz smiles gently as memories wash over him, almost visible from his expressions. "Doesn't do us any good to remind us of life if all life is ending. Do you know what the Four Last Things are, sir?" asks Gegi. "Love, faith, hope, and charity?" She shakes her head. "An important four, but not the four I'm looking for." "How could I not? My brain changed. It changed the *me* that I am, my sense of self and my view of the world. I Awoke." says Mitch. "As for me; the burning of the Vitae of my Sire, pouring into my veins, sundering my thoughts, hopes, dreams one from another, forging new minds around them. Tell me, what manner of Awakening was yours?" asks Mauritz. "You're Kindred. Malkavian?" She pulls a small pin, black with silvery highlights, a mirror with a crack running down the center, out of her backpack and attaches it to her shirt. "I have the honor to bear the Vitae of Malkav in my veins, yes, though some would call it curse... What an interesting bit of jewelry. A mirror cracked, yet still whole..." His eyes narrow as he stares into the air over her head. "Aren't we all a little cracked?" "Half-baked cookies in the oven Half-baked cookies on the bus There's a little bit of fruitcake left In every one of us." Mauritz says. "Never liked fruitcake. Or cheese logs." "I beg pardon for asking, but how did you come to know of the Kindred, and my clan in particular?" "I know many things. It's my job." "As it was part of mine, for a Prince without information is no Prince indeed. 'Tis difficult to rule those who can fool you; fortunately, the only one able to mask himself from my Sight is a good friend of mine... well, never mind. Do thy strange abilities then extend to plucking information from the aether? for I must say, thy aura is strange indeed... Far more robust than that of Kindred, aye, but not so brilliant as a mage... Oh, raise thy eyes, child. I have no intention of meddling with thy mind." She reluctantly raises her eyes, wordlessly communicating that nasty things will happen if he tries. "Dreams, into my mind, teaching me things I should not know. Yes, sometimes. Many strange things happen to me, and around me." "Why, then, you are already more than half Malkavian! Dreams, though... dreams can be treacherous. How certain are you that these dreams are a good thing, and not an attempt to manipulate your mind? I have heard that some arts of the Kindred can twist a dream... and I believe the Restless may do so, as well. As for Mages, why, they claim they can do anything... and Garou can traverse the spirit-realm, where they might bargain with a spirit for such power. And then, the Fae claim to be the stuff dreams are made of... or perhaps, they are made of the stuff of dreams..." "No, no, not dreams in the night... those I shape for myself. Dreams in the day. Thoughts that are not my own, that wander through my mind." Mauritz frowns... and appears to be struggling for words. "This is a disturbing thing. My Sire has done such to me, from time to time, and I have had many battles trying to discover which were his thoughts and which mine own. Perhaps one of the mages in this place could help to discover if these extraneous thoughts of yours are harmful things, or merely stray impulses relayed to you by your abilities..." "Inspirations from the Infinite or perceptions of the folk around me, it makes little difference, really. We act on what we perceive. Everything can be manipulated. We do our best." Her eyes fall on Chloe. 3 Gegi and Chloe discuss love. "Weren't you in love, then?" Gegi asks. "I suppose I was.." "You're not sure?" "He died in a boating accident last spring." "I'm sorry..." "I always thought before that I was completely in love with him. But, once he... its such a horrid thing to think.. don't mistake me, I mourn terribly still.. once he died, I think I.. I think I mourned the loss of being in love more than I did him. It's hard to explain and I know it sounds just awful. It is just awful, but.." she sighs, "there's just always so much to mourn, it was nice to be in love." Gegi sighs. "I wish I were in love, or knew that I were, if only to be sure that I can. Love, that is. I have a lot of feelings for a lot of people, and it's all so confusing... and it seems that no one else has it figured out either. 'How do you know when it's love?'" She looks at the wall. "I feel -something- for him... but it all depends on whether or not you believe in love at first sight..." "I think I've concluded that its love when the person dies and you feel a lot more than I felt," she looks ashamed. "And love at first sight, of course, I believe in that. As long as one admits that a wife is little more than a trinket to the man. The prettier the trinket, the more it shall be adored; the more it is adored, the more it loves its possessor," she speaks plainly, without any feminist ranting or cynicism in her voice. Gegi raises an eyebrow, but chooses to assume that Chloe is joking. "The less a woman has in her head, the lighter she is for carrying. And the numbers of people who still think that way are a factor into my dislike of the idea of marriage." "Things are so different then between men and women in a century? I didn't mean to sound cynical, you see, I'm sure.. I know, there are men who probably certainly don't feel that way. I don't think Quentin did.. and father sort of didn't... sort of. Michael, the.. in the... well, him, he... I don't know. He talked to me like I was his equal often, but it's often not a feeling manifested in one-on-one interaction, you know? More like when you are with the families and the friends, all those awful thoughts about girls and their silliness start to come out." "Things have changed and are still changing. Laws and opinions both. There are still people who think that women are good for nothing but keeping house, or... reproducing, but these people are generally laughed at and considered to be a bit stupid. Women can be scientists, run businesses.. and we don't have to get married." Chloe smiles. "Politicians, too? Amazing. I guess its to be expected, though. Where I come from, well more when I come from, you can hear the beginnings of women. Sure they just wear pantalettes and show up at town meetings.. but its a beginning, I suppose." "Pantalettes," Gegi says, and giggles, laying a hand on her own black jeans. Chloe smiles, embarrassed. "Ok, ok, so it's not the most progressive of things to brag about... and it surely looks like clothing for women has gotten a bit more comfortable. Is that.. what you're wearing.. not formal wear, is it?" "Not formal. But not likely to get thrown out of theatres, either. Clothing's gone lots of ways. As long as you cover certain parts, a lot of people won't care -what- you wear... tight black leather, ratty flannels, business suits, short skirts or long, whatever." "Of course, we still wear some fairly ridiculous things for formal events... and my school, at least, won't let you into the prom if you're not "appropriately attired"... but Maggie wore a tux once, and they thought that was fine. They probably wouldn't have let her date wear a dress, though... which is sexist in its own way, no?" She giggles. "Nor would they let a girl bring another girl as a date, even when they -knew- she wasn't serious... But I don't know, I never went." She raises an eyebrow, "Why would a girl wear a man's attire.. or why would her date want to wear a dress? And why wouldn't the girl want to bring a man with her?" She furrows her brow. "Just for fun," Gegi smiles. They talk of culture. Gegi nods. "I've never been to an opera. Musicals, yes, and I suppose they're similar, even if the cultural niche is different. And ballet - only the obligatory Nutcracker performances. And watching my sister's dance troupe perform. She was just about to get her first toe shoes when I... left." "When was that?" At this point Garret strides back into the pub. He stops just inside the door, smiles, and says in a loud voice, "Hello, everyone! I hope you had a great Christmas and New Years, because I know I did." "It was Christmas?" says Gegi, confusedly. "Darn time travel..." "Gegi! You look a lot better. How are you feeling?" he calls. "Hi, Garret! Much better, a little confused about a lot of things, and with a million questions for you... sorry about any damage I might have caused. Oh, and don't let the other mages convince you to go along with them..." She looks back to Chloe. "Well, October 1996, to me... it still -should- be, as far as I know, but Garret was just out for Christmas. This time thing is very confusing." They talk about Vampire. "This game is really so popular?" Chloe asks. "Fairly so. Among we the geeks." Her eyes widen. "You eat the heads off chickens?" "Huh? Whatever gave you -that- idea?" She looks confused. "You said 'we the geeks'. I assumed you meant those awful men in the circus who bite the heads of chickens and make children think they swallow them, no?" "Oh. Ick. I forgot about those. No, 'geek' nowadays means someone a little strange.... often someone who is more interested in intellectual pursuits than 'normal' social things... like a person who would prefer to read books and play games rather than go to parties and mingle with society. And because we don't spend much time with the 'normal' people, we often dress a bit different, and so they poke fun... does that make sense?" She nods, smiling. "Like the girls who'd prefer to get a package of books from home than a new sterling silver mirror and brush set? I think I understand. And, with this sort of game, I'm sure they think you're dangerous.. people like to belittle what they don't understand sometimes.." "Usually they just think we're crazy and stupid, not dangerous... but sometimes they blame us for all sorts of silly things that weren't our fault. Accusing us of being Satanists, and such." She remembers, and winces. "Not every vampire ends up in a coven like mine, really." "What is it they blame you for?" "Nutcases. Those few twisted sick humans who act like they really -were- Sabbat. Kill people. Or lesser things... some people might say that gaming taints your soul, or makes you kill yourself, or makes you do drugs, or not do your homework, or have bad breath, or whatever." 4 Garret enters. He stops just inside the door, smiles, and says in a loud voice, "Hello, everyone! I hope you had a great Christmas and New Years, because I know I did." "It was Christmas?" says Gegi, confusedly. "Darn time travel..." Garret's grin flickers, and a small look of alarm surfaces on his face. "Time travel?" "That's right, you were gone before I left and came back... my group, on the other side. We're time travelers. Among other things. That and the flow in here has me a bit confused about what day it's supposed to be..." Garret takes an involuntary step back upon hearing the term, "Time travel". His face smooths into a calm, clear mask, but his voice is taut with fear. "I see." His free hand, the one not holding his bag steady, is trembling. She blinks. "Are you all right?" He half-smiles. "Did you ever see the Twilight Zone episode where a man finds a watch that can stop time, then breaks it while time is frozen and spends the rest of his life in a timeless hell?" "Haven't seen much of the Twilight Zone, really." She pauses for a moment. "Messing with time flow doesn't bother me much... not like distance does... but that's more because I'm incredibly insensitive to it. Or something. Speed up, slow down, skip tracks, start somewhere else, I won't even notice. Linear time doesn't seem to sink in very well to my head. Distance and movement, though. I can get dizzy just standing still. The world is spinning too fast." She drifts off, having apparently forgotten where this train of thought started, then snaps back into focus. "You look a lot better. How are you feeling?" "Much better, a little confused about a lot of things, and with a million questions for you... sorry about any damage I might have caused. Oh, and don't let the other mages convince you to go along with them..." "Shoot, no problem, and what other mages?" She sweeps her hand in the direction of the Techno-raid congregation. (Let's see, that's Paul, Nyneve, Myung, tabula, Dancer... and just about everyone else nearby plotting or trying to dissuade... ) "Them." He looks over at the other table. "That's a lot of mages. Where are they going that you don't want me to go?" "They're planning to attack Autocthonia... But anyway, we got the demon out, although it seems that I've got a permanent taint on my soul now, and magick still fascinates me... Oh, and the world is coming to an end. My world, that is. I'm looking for ancient prophecies that might tie in... as Euthanatos, I thought maybe you'd know?" Garret blinks in confusion. "Hold up, one thing at a time. They're planning to attack *where*? And the demon left a permanent taint? Have you asked someone to try a cleansing ritual? And what prophecies are you interested in, people have been doomsaying the end of the world in every culture since the world began." "They're going up against the Technocracy... it's all -his- idea." She points to Paul. "I get lost in some of the details." He looks over at Paul. "Why am I not surprised. You said Autocthonia? As in, *the* Autocthonia?" "I assume there's only one," she says. He shakes his head. "I was hoping I'd misheard. FYI, Autocthonia is a serious technomancer stronghold." "I gathered. Iteration X, right? Seems that they've kidnapped and cyborged half of them" waves at the mages again "at some point... I didn't know it was such a common background." "I think a raggle-taggle band of uncoordinated tradmages have about as much chance of putting a dent in it as a camel does of passing through the eye of a needle." "They're going to get killed, most likely. And some of them don't seem to care." She returns to the earlier question. "I haven't had anyone work on the taint yet, but on my side Elfboy said there were only two ways to do it, one of which was kill me, and the other only I could do and he can't tell me about it... and anything done in here doesn't count over there, you see, so even if I could be cleansed, it wouldn't help." "I don't -know- which prophecies are important... we were just at the Oracle at Delphi, you see, and what the Pythia said sounded a lot like what little I know of the Christian ones, but I never paid much attention to end-of-the-world stuff. But the Oracle listed off all the sevens... seven seals, seven trumpets, seven mortals, so on... there are seven of us, you know... and then the four endings. The world shall end four times, the first in the flood, the second in the rebirth after the flood, the third the opposite of the first, and the fourth the opposite of the second. And mankind may or may not survive the third, which is the one we're about to run into. And I remembered a vague reference I saw in some old art texts to the Four Last Things, but they never explained what it meant, because it seemed obvious to them, and no one seems to know... " She looks over at Chloe and adds mentally, <*Oh, yes, that's something else that happened while you were out... I got ghouled. By accident.*> <*By who? And are you familiar with the concept of blood-bonding?*> <* Yes, I know about blood-bonds... Chloe's adoptive Ventrue parent. She has a vial of his blood dyed blue - she didn't know what it was. I fainted, she fed me some. *> 5 Gegi discusses her problems with Plots. "Panic overdrive. I don't know, it -is- more violent than some of the manic descriptions... not that I don't have my euphoric moments, but hysteria is more likely." He nods. "Yeah, hysteria, or some form of it might be more feasible. I had a friend who was very protective of her personal space, but I never knew about it until we were wrestling, and she freaked. I managed to get out of range in time, but I felt like a heel for being the cause. She apoloigized after a minute of calming down, and explained what had happened. If that's what you have, it's not actually a mental disorder, just a bad reaction to certain stimuli." She nods. "The problem is, what -exactly- are those stimuli? I'll freak if I'm held down and tickled, but I think that's not so unusual... otherwise, anything can set me off. Really silly things. Immense overreaction. Tiny controllable emotion multiplying into something crippling." "Maybe that's a place to start. If the only thing in common with your freaking episodes is some trivial thing..." "No, that's what I'm saying. I don't see any common threads." "...then maybe that's it. Maybe they remind you of something the happened in your past that started as a really simple thing, but escalated into something really major. So now, your mind decides to jump the gun, and reacts as if it's already overblown. It doesn't think it's overreacting, because it thinks it's reacting to what the situation will become, even though everyone else sees it as a simple problem." She smiles. "Me and dogs. -That- phobia has never triggered a full breakdown, though... just got me jittery enough to accidentally drive nails in." "You had a fear of dogs? Of this I was not aware." "I thought I told you that. Scared silly. Mother says I'm mildly allergic and I got locked in a car with a big dog once when I was really little and had a bad reaction and that's where my phobia came from. All I know is that they make me terribly nervous." He backs up. "But that's what *I'm* saying: The lack of common threads may *be* the thread." She looks very puzzled, then, "If so, that'd be a bit difficult to therapy out of me, no?" "You have a lot of pain buried there..." She shrugs, obviously uncomfortable. Plots looks at her softly. "Is there a reason for being so ill at ease discussing this? We've talked about demonic possession and the end of the world, and you haven't found them nearly as unnerving. Is this that much more personal? I thought you had said it was old news..." He looks concerned. She smiles a little. "Yes, well, all that stuff's -recent-. This is delving into my -past-. My childhood. The end of the world can't begin to compare." "Also, your childhood is a bit more personal than the end of the world, I would guess." "Insanity really is my deepest, most crippling fear. So much so that it makes me a little crazy. Self-fulfilling." Another shrug. "What am I supposed to do? I do my best to keep a handle on things, and have managed not to do any serious damage so far... but I'm -not- going to let them drug me." "I'm not talking about that. I'm talking about changing your attitude about it. You obvisously don't like the knowledge of this, and you don't like the idea of losing control--snapping. But at the same time, you seem incrediblily content with it. For all the time I've talked with you about it, you express that you hate it, but haven't shown any real desire to combat it. All I'm suggesting is that you start with the basics: Believing that the power to overcome this is in *you*, and actually sticking to that ideal. Like Elfboy said," he smiles, "Stop being a rock." Her eyes narrow. "I am -not- being a rock. I am -trying-." "Then try to solve things with Gabby. Maybe you could tell her you aren't the same Gegi that she knows." She sighs. "Maybe later, when she's not quite so actively screaming for my death?" "Well, I haven't heard her even asking for your death in the past few time frames. Got another excuse?" He smiles again, innocently. She ponders, then brightens. "That's it!" She turns to him. "She said I was an enemy of the Dreaming, right? Dauntain? Tell her to check my Banality. I -can't- be more than a five or six or so... unless," she looks worried, "the demon contact poisons that, but no, the Unseelie are still fae, being evil doesn't make you Banal... Tell her to look!" 6 "I never really understood the antagonism towards mimes... except the typical human condescension for anyone else's world, especially if they can't see it..." Gegi says to Mitch. "It may be that the mimes parodies our own actions. I certainly know of a place where mimes end up in a very nasty position." "Impaled?" "Suspended above a scorpion pit and a sign that reads 'Learn The Words'." "Heh. As I said. Arrogant condescension for someone with different priorities and opinions on what is beautiful. And they wonder why I don't care for normals." "There is never any life. Just illusions - dreams of existence, if you will. But then, what is dreaming? I do not know." "No, dreaming is easier... I have more control over the flow, and no one pressures me for definite explanations of what it all means... here we are mostly in a group dream, all tugging at different threads, moving it into a tangled knot." "What? Life? Or merely the shadows of a semblance of something not too distant from a life? "If this isn't life, what is? We do what we think we have to." "We are all victims of circuses...erm, circumstances." "Give them their bread and circuses and they'll be happy..." "But the thing is, no-one wants bread and circuses for their neighbours." "I think there's a bit more to it all than bread and circuses, but I want my neighbors to be happy... then again, I'm not considered normal." "Well, that's the principle, anyway. All people want is to be happier than their neighbors - most people, that is." "I'm an empath. It rather forces me to want other people to feel happy... except when I'm being evil. Then I just need them to feel." "It's all a matter of perspectives. If you want them to feel, stick a number of needles into their hands, or arms, or face. That'll make them feel soon enough." "True, but it also might prompt them to seek revenge, or lock me up, and I wouldn't like that. Generally I only stick needles in myself." "Vengeance is mine, sayeth the Lord. I have been locked up, I got out. It's mostly a matter of will." "I'd rather not have to put my will up against the world just yet. I'm not ready." "Theirs not to reason why..." "Theirs but to do and die. Into the valley of Death Rode the six hundred." "The light Brigade charges. Tip the world on its side and they're all falling down..." "They all fell down anyway..." "But the little lights are prettier if they keep falling than if they get snuffed in the dust." "Everything gets snuffed in the dust anyway, maybe not literally, but metaphorically speaking." "Everything, nothing, but you can draw it out. Streaks of light. Like rain.I like rain." "Rain of blood, seasons in the Abyss..." "No, not raining blood... you lose too much of it that way. And I've never been to the Abyss." "And as for we who try to see, we end up tied to a pole with kindling at our feet, waiting for the last painful melting..." "But will it *be* painful? It all depends on who you are, and what you are, I suppose." "It certainly feels painful to me. Someone else has written my script, and I don't care for it..." Mitch begins to draw strange symbols with his blood. The blood seems to darken and steam somewhat, but remains still. "What's happening?" Gegi asks. 7 You're sure there was no one there a minute ago... but now, she is. A woman is standing in front of the door. Her skin is a beautiful brown, her hair black and flowing to her waist. She is wearing a formal black dress, and a dazzling diamond and sapphire necklace. Her eyes are closed and her arms held to her sides. Without opening her eyes, she begins walking unerringly towards the table of plotting mages. Across the pub, Rhiannon flinches. 8 "Tell her to look!" Gegi says to Plots. Throughly bewildered (the result of hearing "Gamespeak") Plots gives up trying to understand exactly what she's saying and just nods. He makes his way over to Gabby. "Hey Gabby?" He asks, "Hm?" Gabby looks back from her contemplation of Rowan. The adrenalin of the last two life-threatening encounters seems to have finally faded... she looks like hell, and blinks at him wearily. "Um...somebody suggested that you check the...uh what was it? The..Banality? I think that's what it was...Check the banality of Gegi." She sighs. "Fine, whatever." And stares at Gegi. A confused look crosses her face. "That can't be right..." she starts to say, before her eyes suddenly roll back into her head. She promptly collapses. "Shit!" The beautiful silver-haired woman is instantly there, and catches Gabby before she hits the ground. "Plots, wha' in th' hell was tha' about?" "I - I don't, know, should we get her some water?" Plots grabs the jacket that Gegi had slept on and puts it under Gabby's head. Rowan gently lays Gabby down, and ducks behind the bar, looking frantically for something. Mutterings in Garou and gaelic came barely be heard. A little later, Rowan appears, looking triumphant. She's carrying a small shot glass. She hurries to Gabby, and gently props her against Rowan's knee. Rowan slowly gives the contents of the shot glass to Gabby. Then she waits to see what happens. Gegi rushes over. "Gabby? What happened?" She kneels beside her, and touches her hand. Gabby's eyes flicker open and settle curiously on Gegi, not quite in focus yet. "Synthea?" she asks softly. Gegi shakes her head. "I'm not the Synthea you think I am. I'm not the Georgina you think I am, either. Give me a chance." and then adds "Are you all right?" "Yeah... just fainted." She looks up at the people hovering over her. "I'm okay, really. Although staying down here might not be such a bad idea." Plots sits back, taking his jacket back and puts it back on. "So tell me..." He asks outloud to no-one in particular, "Does this happen whenever someone's banality is checked?" Gabby smiles. "Not usually." She looks back at Gegi. "You're not fae. And you're not ex-fae, either. Alternate reality?" Gegi looks surprised that she suggested it so quickly. "That's right. And I don't know what she did to you... the Georgina you know... but it wasn't me." She pauses. "Can you tell me about it? What happened?" "Er, how about what just happened, first?" Plots asks tenitively. "Not that I wouldn't to know the other thing, but my curosity is still piqued from the first event." Gabby shrugs as best she can while lying down. "I was tired. I've been on edge since the trouble with Christine started. I finally just burned out. No big deal." "She collaspes and says it's no big deal..." Plots mutters and shakes his head. "It happens." "Often?" asks Gegi. "Sometimes." "How are you, healthwise, overall?" Gegi asks, concerned. "I know my Gabrielle had some problems..." Gabby's eyes flash angrily for a moment, then she carefully calms herself. "My health is not what it used to be. But I'd really rather not talk about it right now." "Fair enough." Plots nods. "Now knowing that, do you feel comfortable answering Gegi's question? I can vouch that it's been bothering her more than a little." "The one is related to the other..." Gabby starts, and then starts. (As in, a startled jump. Sorry. Couldn't resist.) "That backpack..." "Looks like Synthea's? Yes, except for - " she gestures to some symbols on a front pouch that look very much like all the other symbols, but Gabby nods, seeming to understand. "And the Penn tag, and this part - " she brushes a hand across some embroidered-like designs, "I painted over the colors myself. And there's no dimensional portal inside it. Just a lot of my junk." 9 Her eyes narrow. "I am -not- being a rock. I am -trying-." Plots' smile turns into a grin. "Okay then, prove it. *How* are you trying? You were just telling me not too long ago that you stuck in this rut, and that you never thought you would get out of it. So what's your plan?" The air around her picks up a mild prickly feel. Plots doesn't seem to notice, his grin settling into an innocent smile. She speaks slowly and clearly. "I go on with my life, doing the best I can, handling each problem as it arises. What -else- am I supposed to do?" "Start taking control of things. Become the director of events, instead of the victum. You adjust to each situation as it comes up, which is good. But do you act to direct any of these events, or do you prefer to just let them happen and take what comes?" "I do what I can, when I can."A half-full glass that someone has carelessly left sitting on the edge of a nearby table topples, shattering and puddling brandy on the floor. Nothing comes near either Gegi or Plots, and the noise over the rest of the Pub is not considerable. Plots doesn't react. "How am I supposed to answer that? List every minute of my life and how active I'm being in it?" she asks angrily. "I'm not asking that. I'm asking how many times you've made an active strive towards one thing or another as opposed to going to wherever the flow leads. I like drifting along as much as the next guy, but if I didn't start to take some control over my life, I would have wound up dead long ago. Like you said, handle each problem that arises. But *also* taking steps to avoid the problem entirely in the first place." His voice remains conversant and nonchalant throughout. She seems to relax a little. "As I can see it, there are only two real ways to prevent the problem from coming up. Stay in complete isolation, where there can't be any emotional stimuli, and thus no over-reaction, or stay with people I'm -connected- to. Stuff comes through that's too much for my head to hold, but if I'm linked in with other people, it can just... flow. Move through, move on, spread out, balance. -Balance.- If I'm hooked into other people, I can hold on to them, and stay... stable." She looks frustrated. "There aren't good words, they're not common concepts." Plots' voice is gentle as he answers. "No, they're not common concepts. But they're not *uncommon*, either. Remember that you're not alone. That's the first step. That you always have people to talk to." "'Always'?" she asks with a bitter half-smile. "It's just that I've been cut off a lot in the past year, and especially since getting to college. No one close by to hang on to. And sometimes words on a screen aren't enough." "Are you an introvert, or an extrovert?" He asks her quietly, not wanting to pry. "Both. Seriously. We took the tests in my comparative religion class - don't ask - and I came out INFP, but absolute extreme on the last three, and just barely over the middle on the introvert/extrovert. I'm shy, quiet, withdrawn, total introvert... when it comes to -strangers-, especially groups of them. But around people I trust, or in situations where I feel comfortable being weird - on stage, at cons, whatever - I'm weird, wild, telling jokes, being silly, and generally friendly and more than willing to greet newbies. It's not such an unusual personality composition. It just gives me a nasty transition period." "Oh, I believe it. I never took one of those tests, but I know I'm almost the same way. My outgoing-ness shifts constantly, so one minute I'm talking non-stop, and the next I blend into the wallpaper." He smiles. "I had a hunch that's how you were, but wanted to make sure." She smiles. "Any other hunches about me?" The residual tension about her has faded. He grins. "Let's start at the beginning. Tell me about your mother." She makes a face. "Just as long as you don't get into cigar jokes. My mother. My mother married my father. Big mistake. Never should have broken up with Bill. Of course, Bill died just this year... I never met him, but he always sounded like a really nice guy, even if she wasn't head-over-heels for him." She laughs. "Mom and Dad's first date was to a wife-swapping party, by accident. Perhaps she should have seen a sign there?" Plots blinks. "Oh, well...that certainly is an interesting start. Okay, let's see...did you, or do you still, harbor any ill feelings towards your parents?" "What, you didn't notice just a slight bit of ill-will towards at least one half of my genetic background in there?" Plots grins. "I'm trying to shoot for vague here. Work with me." "Mother's fine now that I don't have to live with her. Father I could gladly live without hearing from again." She smiles wickedly. "Did you ever think that you were never in control of your life?" She shrugs. "I've never been directly in control of my life... but I'm a manipulative little thing." "Okay. So now we ask the musical question: Why have you never been in direct control of your life?" "Because I'm passive-aggressive and choose to sit back and pull strings and not -look- like it's my fault. That's not news to me." 10 Gabby collapses in a faint. Chloe looks back and forth between Gabby and Gegi once again. "I don't suppose I should be giving her any of this?" she askes Gegi, holding up the vial. "To a -changeling-? Are you..." she suddenly remembers her manners and clamps off what she was about to say. "No. Not a good idea." and rushes over to Gabby. "Oh.. um. Ok, I don't really know the rules about giving the stuff out anyway.. but I was just trying to be helpful, she looks a little.. pale." As Gegi runs off, not listening to Chloe, the dark-haired woman who just appeared blurs, and fractures into another timeline. This one approaches Chloe, keeping her eyes closed. She does nothing threatening as she nears, but then lifts her right hand, keeping her fingers curled over her palm, and reaches under to raise up Chloe's chin so that the shorter girl is looking directly into her face. Her eyes are closed, her expression is blank. Chloe goes _very_ still. Her baby blue eyes widen considerably and she swallows hard. "I--I was -just," she stammers, but stops. The woman's eyes fly open. They are completely black, no whites at all. Chloe shudders, still looking directly at the woman. "M-- miss," her voice trembles a bit. "D-Do I know know you?" She stares at Chloe. A moment passes. Then her eyes snap closed again. Chloe blinks a few times. "My poor child," she says with a smile. Her voice is a beautiful alto. "My little one, we thought we'd lost you... and so brave, this must all have been so hard on you..." The dark woman leans forward and kisses Chloe gently on the forehead. At the same time, she slips a quartz crystal into Chloe's hand. A voice whispers into Chloe's mind... <* I can't take you from here, little one. Too many eyes watching. But I will come for you. And if you ever need my help, just use the crystal to call me. And be careful! This place is filled with monsters who will destroy you if they get the chance... *> She lets go of her and steps back with a smile. A blond stranger wearing a cross suddenly steps between them. The cross he wears begins to flicker with a blue light. "Get away from her, now!" His voice is commanding, like a crack of thunder. The dark woman steps back, then vanishes with a twist of Correspondence. Chloe's eyes fix at a point above the floor. She gasps, hand flying to her mouth, then makes a muffled squeak of a scream. "You didn't have to hit her!" The stranger looks at her warily. "I did not." "But you did!" She takes a handkerchief from her pocket and wipes it across the clean floor, then waves it in his face. "Tell me that this isn't her blood, then!" He looks at her solemnly. "I think there is some understanding, miss." He offers her his hand. Even frightened and angry, Chloe remembers her manners, and starts to give him her hand, then suddenly squeaks again and snatches it back. 11 "I'm just a touchy-feely type," Gegi laughs to Plots. "I need people." Plots grins. "My mother always tells me that was biggest problem as a kid, was that I was always touching everything. My report cards from elementary always listed that as a major problem." He shrugs. "I eventually managed to clamp down on it, but only to the point where I couldn't touch anyone at all. Nowadays, I consider it an honor when my friends, particually those who are female, hit me." She raises her eyebrows. He blushes. "What's even more weird is that they seem to like it even more than me. Not that I'm into S&M or anything, I mean. That is, I've never tried--or wanted to, or..." His face gets redder. She laughs out loud. "Oh, forget it. It's weird, but I consider them a true friend when they hit me, and we'll leave it at that." She daringly reaches up and pats him on the head. "Yes, dear. Whatever you say." Plots tries to clear his throat, and waits a moment for the blush to recede, trying to regain his thoughtful expression. begins describing the plot to take down Autocthonia to Plots. "The local paradigm might be actively hostile to mages, but if we could slip you in as a sleeper they might not notice you right away, and you could take the virus in with you..." "Yeah well if that DEI doesn't clear, whatever it is, I'll be a real DOA. You make it sound rather simple..." His voice is trying to sound convicing, but his eyes signal that he's seriously considering it. "Are you sure that there are any Sleepers there at all? I mean, would I stick out because I'm not an ItXer?" "NO." Gegi says, turning on him. Plots blinks in surprise. "You're not going, don't even think about it." She lifts her nice metal-snake-headed cane meaningfully. "I'll knock you out myself first." He chuckles a bit. "I never I was going to go, just asking about what the chances of them noticing a Sleeper would be." He starts to look a bit defensive. "Besides, assuming he's correct, I could actually be of use for a change. Do something. Maybe get some revenge on those who screwed my life up so bad in the first place." The look in his eyes is getting more determined with each word. "You're talking about wandering into the stronghold, -the- stronghold, of an entire sect of mages who are -not- friendly, and are pretty damn powerful. They'll lay hold of you the second you touch down and have you inside, on the operating table, and -gone- before you even know what hit you. Kamikaze mentality ain't healthy, specially if you don't even know how big a boom you can make, and when they'll be able to make a weapon out of what's left of you. You're -not- going. Find another way." She's got that death-before-surrender look in her eyes. "Thank you for the concern, but I *have* been inside of Techocrat HQ's before, you know, and escaped." He fails to mention that it was because he was captured, and he only escaped due to a breakout from a Mage, who may have died in the process. "Moreover, here's an instance where the one thing I have, my mudaneness, can actually be of use. You know, I may not have the fighting abilities of a Garou, or the manipulation powers of a Vampire, or the reality-altering powers of a Mage, or even a trace of psi powers, but that doesn't mean I can't try to make this world a better place. Just because I'm a Sleeper shouldn't mean that I need to be coddled and protected and placed in a kennel when others shape the same world *I* live on without any say in the matter from me." His expression states clearly that if decides to go, he *will*. "I'm not saying this because you're a Sleeper. You'll notice I gave Garrett a similar warning when he walked in, and he's far from powerless... I'd stop -them- if I could. It's just that there are more of them than me and they can fairly easily get past me. And they have no reason to listen to me." "And I--" he starts, but cuts off. "Fine, give me a warning. But you made a demand, not a warning, to me." "I... I was just trying to make a joke out of it... But don't you see that this is just like when I got into the cult? Do you want to come out with a demon in your head? If they go through with this, they're all going to -die-, or -worse-. Excuse me if I'd rather not have my friends in that party." And her expressionshifts from stubbornness to fear. Plots shifts his stance. "Okay, I can see your point. And I'm not arguing that it's not dangerous. What am I saying is that, first off, I haven't made any promises to anyone about this. Second, you're welcome to voice your concerns, but utimately *I* have to decide." "I..." He sighs and looks at her. "Here's another way to look at it: When you go off to save the world, probably by facing demons and fire and other non-friendly substances, could I convince *you* not to go because it's dangerous?" "I'm not going to get ki-" Suddenly a man's voice echoes through the Pub. "She says we should have killed her when we had the chance." The sound seems to come from the direction of the mysterious dark woman. Plots looks around, trying to find the source of the sound. "Elfboy?" he calls cheerily. "Here at last?" "Jay..." Gegi goes very pale and steps away from Plots. "Oh, shit," she whispers. His voice trails off at seeing her expression. "What's wrong?" "I'm dead," she says, eerie calm overriding panic. "Dead, or damned. Or both. There's no way out." She stares blankly past him. "Maybe in your world I could have been saved, but someone on my side has different ideas..." 12 "Mother's fine now that I don't have to live with her. Father I could gladly live without hearing from again." She smiles wickedly. "Absence makes the heart grow fonder." He nods. "If you don't mind me asking, is the father you refer to your actual dad, or a stepdad? I thought you said something along the lines that you didn't know your original dad." "Oh. No. Real father. Bill was my mother's first fiance. She left him for my father... I don't know why. They married, I was born on their first anniversary, they managed about thirteen years together..." She pauses. "You know, I'm not even sure anymore exactly when he left. Oh well." "Well, if your Mom hadn't married your dad, then you wouldn't be around in the first place. Kinda ironic, huh?" She rolls her eyes. "And if anything had happened differently in my life, -I- wouldn't be around, just someone who was a lot like me. Not the point." "True, but I like to consider all angles. One more question: Did you ever face up to your parents, or was the extent of your defience why you tried to run away." "Run away?" She looks confused. "Oh. That was avoidance, not defiance... or something. That was long ago. As for facing up to them - " she grimaces. "I had this really irritating tendency to start crying... the kind that distorts your speech... whenever I wanted to calmly explain a point to an adult. Neatly counterpunching my own argument. It's hard to take someone seriously who's crying too hard to see straight. So mostly I just ignore them." "Okay. Then maybe we've actually narrowed the field down, as to why you tend to break under what most consider "light" stimuli. It's possible that deep inside, you're tired of using ignoring and manipulating as ways of controling your life, so it tells you to resort to much more blunt methods, like spazing." She sighs. "That's what I'm afraid of. That it really is me doing it, and not any mental imbalance. Too many people in my head. The one that goes crazy when the breakdown hits, the one that guides that one to a safe place so she won't get hurt too badly, and possibly the one who pushed the first off the cliff in the first place. And I don't know how to handle that." Then she laughs. "What, having a mental collapse in public isn't manipulative?" "Okay. So now we ask the musical question: Why have you never been in direct control of your life?" "Because I'm passive-aggressive and choose to sit back and pull strings and not -look- like it's my fault. That's not news to me." Plots frowns. "But then you're contradicting yourself. Pulling strings is a form of direct control over your life, which you say you don't have." "No, it's indirect control. Ties in to me not having a job, or transportation, and things like that... have to twist other people's arms to get things, and have other people to blame when things go wrong." Her tone is casual, but her body language shows mild discomfort. Plots shakes his head. "It's direct control. What else it is, is a defensive system, allowing you to gather the benefits of being in obvious control, while affording the luxury of claiming innocence when responsibilities crop up. Unfortunately, it doesn't work. If you're actually pulling strings to get people to do things for you, like drive you somewhere or pick up the tab, then you're doing direct control. Trust me, I've freeloaded enough in my younger years, and still do occassionally." "Younger years? How old are you?" "Twenty-two. I used to borrow everything from my friends, to the point that I sometimes was only friends with them because of the neat stuff they'd loan me. I've almost gotten over it completely, except for computers, but I'm working on that." She finally manages to raise only one eyebrow. "Well, I never had -that- problem. I may have borrowed a few things from friends, and known who I could depend on to drive me or buy me food, but they were friends first... hey, friends are hard to come by. For me, certainly." "Anyway, my point is that in considerable experience of freeloading, I always was pulling strings and trying to manipulate people, and I know that the only way that it *wouldn't* be direct control over my life, is if it was on a complete stranger. Otherwise, I'd plan on how my "friend" would react, and take it into account. Only when I didn't know how to plan for that could it be considered indirect control." "I do it subconsciously so much that it's hard to say what I'm planning... too many me's in here." "Which then begs the question: Do you accept the responsiblities of your manipulations?" "How do you mean? Recognize that it's all my fault?" She laughs. 13 The strange dark woman leaves Chloe and walks over to Gegi. She briefly drops to one knee before her. Gegi gasps. "We are all depending on you," the woman says. Garret, who has been watching them, looks alarmed. He takes a step forward, then stops. Her eyes still closed, she rises and moves to stand before Garrett. He steps back again. "We know our own," she says, and raises her left hand, uncurling her fingers and presenting her scarred palm to him. A symbol of the Nephandi is burned into her left hand. Garret flinches as though she's hit him. His face registers a momentary flash of panic. "No... "Take care of my children," she says, and vanishes. He stands quite still, looking at the space she occupied. "I am *not* Fallen," he whispers, "I had a *choice*..." Quietly, not moving, Gegi asks, "Who was that?" He doesn't answer right away. When he does lift his eyes from the spot where the Black Lady departed, he locks them onto Gegi's. It's painfully obvious that he's both afraid and angry, and trying to cover up both. "You tell me." he says quietly. Gegi pales a bit more, her hands trembling. "I've never seen her before, I don't know who she is... or who sent her..." She opens her mouth as if about to ask a question, then hurriedly closes it, the fear in her eyes growing. Garret narrows his eyes at her, and reaches into his pocket, pulling out a sliver of bone. "You swear to me, " he says, his voice deathly calm," That you don't know who or what she is, or why she's here?" "I don't know who or what she is, I don't know why she was here. I don't know what she did." He continues to burn holes in her with his eye for a minute longer, then slips the bone back into his pocket. Then we need to find out." She relaxes a bit as he doesn't seem to be angry with her... "How?" Chloe walks slowly to Garret, her eyes not straying from him. She wraps her arms tightly around one of his. Looking up at him with pleading, very hard to resist baby blue eyes, she whispers, "I want to stay here with you.. please, sir.." His look is the black of an endless pit. "I know. But now my strand is tied, and none of us may have any choice. I don't have the power to change what is, not now. We need help I'm not qualified to give." He puts the heel of his hand against his forehead. "I'm starting to remember things...things that I'd rather not remember. I don't know how much time we have." Gegi looks at her. "Chloe? Are you all right? What was that all about?" Chloe smiles serenely at Gegi. "What was what all about? My eyes were stinging for a moment, but, well I think I'm all right, for now.." "That woman. Who was she? What did she say to you?" Garret shakes his head. "I feel like I'm dancing in a pitch-dark room full of bottomless pits...and the strange thing is, I know I've been there before..." "It does seem a bit darker in here.." Chloe looks around, worried. "Are they after you, as well?" "Who's after you?" asks Gegi. "All of them, don't you see how they look at me? She said they were going to kill me, she did.." "We're not going to let anyone hurt you," Gegi says firmly, catching Garret's eye. "Now what -exactly- did she do and say to you?" 14 Gegi is tossing rhymes around with Mauritz. "Especially when the prophet lives in your head" "And drags you down the path you fear to tread." "His blazing eyes like stars aflame" "Stare at me and sense my shame." "A hidden fear that festers deep" "A secret that I die to keep." "A friendship from mist-shrouded times" "That now has fled to gentler climes." "And leaves behind a sharp regret" "For I can never pay my debt." They discuss religion and immortality. "But what is it, then? The soul, if such a thing exists, must perforce be immaterial, if it is to withstand the ravages of time... all material things wither or wear, non?" he asks. "Oui. Immaterial, outside the material. Beyond. Where there is no time nor space. No dimension." "Such would be true eternal existence, and yet... with no time to reference, it would be a most dull existence indeed." "Which is why entropy is, and this plane is. To play." Mauritz grins, and produces a pen and a small notepad. On the paper he draws nine dots, like so... * * * * * * * * * ... and hands the pen to Gegi. "Can you draw four straight lines that connect all of the dots - without lifting the pen from the paper?" She laughs and quickly does so. "Very good... you know when to step outside the boundaries. Why can you not apply that talent to your current dilemma?" She pauses. There is a tiny prickle in the air around her. At this point, the Dark Lady enters the Pub. Gegi says nothing, and stares distractedly. Mauritz smiles wryly (or perhaps ryely, given his next words): "The Cosmic Baker made us all, but unfortunately some little bits of previous attempts remained to gum up the works. And some were taken from the oven too soon..." "Everything is as it is." "But not as it should be." "But it couldn't be, or we wouldn't be." "It could be. But then, true, we wouldn't be. And being is half the battle." "Don't use spray paint in a closed garage." They speak of her dreaming. "Inspirations from the Infinite or perceptions of the folk around me, it makes little difference, really. We act on what we perceive. Everything can be manipulated. We do our best." Her eyes fall on Chloe. "It makes a great deal of difference, child. As you said, we act upon what we perceive; does that not show that we should strive to be as clear in our perceptions as possible? If you state 'It does not matter that my perceptions are manipulated', then you would not object to stepping off a cliff masked by illusion. No, one must seek to eliminate that which befuddles the senses - unless done recreationally, of course." And his eyes come to rest on Ophelia, before moving to follow Gegi's gaze. "Reality is befuddlement, and we are always walking off cliffs." He murmurs an aside. "Is the French lass in some sort of trouble?" "Who?" "Mademoiselle Chloe... is there some problem? There is a cloud hovering above her head..." "Chloe? I don't know. She was running from something, or someone..." And here the Dark Lady moves to her encounter with the aforementioned Chloe. Mauritz looks intently at Gegi, as if he were considering going back on his word not to meddle with her mind. The dark woman crosses, kneels before Gegi, and tells her that all are counting on her. But finally he decides against that course of action, settling for conversation. "What was that about? Is there some connection between this mysterious woman and you?" Gegi's eyes are wide, and nervousness very evident in her posture... but not so much in her aura. "I don't know..." 15 "I'm dead," she says, eerie calm overriding panic. "Dead, or damned. Or both. There's no way out." She stares blankly past him. "Maybe in your world I could have been saved, but someone on my side has different ideas..." "Oh really?" Plots openly frowns. "And where did this sudden insight come from?" She doesn't seem to hear him, and the panic is picking up again. "They keep coming after me, and they won't -stop-, no matter what I do, I can't make them go away... and he won't -let- me try to protect myself from them, he -wants- them to find me... and either the man knew everything and I'm doomed and there's no way to change the fates, or it's all a lie, everything is a lie, everything Enedel ever said was a lie, and he's a demon himself... he tried to get me to sell my soul, or kill the others, said it was the only way for me to find power, and I can't, can't, can't go back... I'm on the list..." "What list?" Plots steps back to her. "Gegi, calm down. You're not making too much sense here." His expression is clearly worried. "Didn't we cover this already? You're not going to kill anyone!" "I can't even kill -myself-! I can't do -anything-! They're going to take me and the only choice is whether or not I go willingly and whatever I do it's what he wants me to, whether I fight them and get eaten by them or whether I join them and die by the spear, it's what -he- wants, what he controls, everything I've been... I'm on the list, and my death will be part of what it takes to save the world, so I should be happy about it, right? Right?" She shakes her head, and then her whole body twitches. "It's not that I will, it's that I -have-! I -am-! The demons are everywhere and I'm one of them... it's not my choice that matters, no one gives a shit to what I choose, I'm being used, I've been set up... he's taken my whole life and twisted it and built me into what I am... unwitting opener of forbidden doors, I'm on the list and I can't get away... and it doesn't matter whether he feeds me to them or whether I join them, I lose either way, I have to kill them before they kill me, and I'm dead or I'm damned... and it doesn't even -matter-!" Plots takes a deep breath. "Gegi, you're not -" She begins coughing, then, a rather nasty cough with lots of rattling phlegm and spasms that leave her gasping for air, finally sinking into a nearby chair, rocking back and forth, her eyes crazed. Plots steps to her, grasping her by the shoulders. His grip is solid, but not hurting. "Calm down..." He speaks very softly, kneeing down to look her in the eyes. "Relax, Gegi. You're safe here. No one's going to harm you or hurt you or anything. Calm down. Relax." His voice is soothing, and confident. She looks at him... and starts laughing, covering a wide range of maniacal sounds... finally running out of air to make noise, but her body continues to shake. Her eyes go wide and her back arches. It's apparent that she cannot breathe...